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・ Hrvoje Bartolović
・ Hrvoje Filipan
・ Hrvoje Hitrec
・ Hrvoje Horvat
・ Hrvoje Jančetić
・ Hrvoje Kačić
・ Hrvoje Kovačević
・ Hrvoje Kraljević
・ Hrvoje Kurtović
・ Hrvoje Ledić
・ Hrvoje Matković
・ Hrvoje Milić
・ Hrvoje Panžić
・ Hrvoje Perić
・ Hrvoje Požar
Hrvoje Slovenc
・ Hrvoje Spahija
・ Hrvoje Sunara
・ Hrvoje Tokić
・ Hrvoje Turković
・ Hrvoje Vejić
・ Hrvoje Vuković
・ Hrvoje Vukčić Hrvatinić
・ Hrvoje Ćustić
・ Hrvoje Čale
・ Hrvoje Šarinić
・ Hrvoje Štrok
・ Hrvoje's Missal
・ HRW (disambiguation)
・ Hry a sny


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Hrvoje Slovenc : ウィキペディア英語版
Hrvoje Slovenc

Hrvoje Slovenc (born 1976, Zagreb, Croatia) is a Croatian fine art photographer based in New York City. He holds MS in Biochemistry from University of Zagreb and MFA in Photography from Yale University School of Art.
His photographs have been exhibited in dozens of shows nationally and internationally including Museum of Contemporary Photography in Chicago, Museum of New Art in Detroit, The Bronx Museum of the Arts,〔 --via Hrvoje Slovenc.〕 Museum of Contemporary Art in Zagreb,〔("Iz Programa" ). Muzej suvremene umjetnosti Zagreb. msu.hr. 〕 Croatia, Museum of Modern and Contemporary Art in Rijeka, Croatia, and Young Artists’ Biennial in Bucharest, Romania. Also, he is a recipient of London Photography Award, International Photography Award, Golden Light Award, Photography Now Award, BRIO Award, as well as Mortimer Hays-Brandeis and Alice Kimball English Traveling Fellowships.
Slovenc’s work is in the permanent collections of Museum of Contemporary Photography in Chicago, as well as Museum of Contemporary Art and Museum of Arts and Crafts in Zagreb, Croatia.
Slovenc was part of 2011 AIM residency program at The Bronx Museum of Art. Slovenc has been a visiting artist at institutions including Drew University, The City College, LaGuardia Community College, Yale University, and Parsons The New School of Design.
==Major Works==
Since 2007, Slovenc has completed three major bodies of work and exhibited them internationally.
In his latest work, Marble Hill, which consists of four distinct chapters, Slovenc focuses on his neighborhood in the Bronx. He uses photography, sculpture, set design, performance, and video to transform this real Bronx neighborhood into the author’s imaginary and metaphorical world nested between fantasy and reality. Slovenc is interested in life as a form of theater; particularly in ways domestic spaces have been acted in and acted upon. He is intrigued by the "scenes" people construct in their homes, as well as the roles people play in their daily lives, with all the semiotic and allegoric referents.
In the series Partners in Crime, Slovenc creates wedding portraits of long term same sex couples. Inspired by late nineteenth-century cabinet cards, Slovenc photographs these couples to appear both physically and emotionally disconnected. In conflating images of stiff, traditional marriage poses and contemporary domestic spaces, Slovenc captures the public face that society mandates for same-sex couples. For the series Breathing in Kabwe, Slovenc traveled to Kabwe, Zambia to photograph the effects of lead pollution on the local population. With photographs and text, Slovenc has transformed a typical documentary subject matter in such a way that it has become not only about the observed or the observer as individual entities, not about “us” or “them” as two very distinct cultures, but primarily about the relationship between the two.

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